Home Blog Page 225

Becoming a Beacon of Dark in the Blinding Light

7

 “Any fool can run toward the light. It takes a master with courage to turn and face the darkness and shine his own light there.” ~ Leslie Fieger

The only thing better than becoming a beacon of light in a dark world, is becoming a beacon of dark in the blinding light. This is because it’s easier to shine light than it is to make darkness shine.

Making darkness shine is what Nietzsche meant when he said, “The great epochs in our lives are at the points when we gain the courage to re-baptize our badness into the best in us.” It’s the epitome of transforming demons into diamonds and victims into victors.

If we can discover these “great epochs” in our lives, we can become a beacon of dark within the blinding light and make the passage clearer for others. Too much light can just as easily make the passage unclear.

A beacon of light pierces the dark so that others can find their way home. A beacon of dark dims the light so that others are not blinded along their way toward adventure. Both are necessary, but becoming a beacon of dark in a world that’s becoming more and more blinded by the light, is the more challenging and essential undertaking.

Lost in the blinding light

“You are your own sun. Stop wasting time trying to orbit other stars.” ~ Anonymous

Traditionally a beacon of hope is seen as a lighthouse for “lost” souls. But, as J.R.R Tolkien said, “Not all those who wander are lost.” Contrastingly, not all those who are lost are in the dark. Just as often they are lost in the light. And perhaps even more so within the cultural climate of today. Far too many people are hiding in the blinding light of apathy and indifference, afraid of the darkness that lies within empathy and conscience.

Beacon of Dark in the Blinding Light

Apathy is all too easy. It just requires us to meander grudgingly along with the status quo. Indifference is all too comfortable. It just necessitates a propensity toward intellectual laziness and spiritual ennui within a system of nine-to-five daily grinds and cog-bop-cog cultural clockwork.

But what happens when the status quo is fundamentally unhealthy and unsustainable? What do we do when inertia, turning a blind eye, and cold indifference are only exacerbating an already unhealthy status quo by inadvertently transforming the molehill of an unhealthy culture into the overwhelming mountain of an unsustainable world? What then?

Compassionate empathy within an unfeeling apathetic world requires a baptizing of our shadow, lest we demonize the shadows of others. This is a personal responsibility. The demonization of the shadow in others shrinks or expands in proportion to our ability to reconcile our own shadow.

Our adaptability to our own shadow make us more adept at negotiating with the shadow in others. The more adept we become at negotiating with the shadow in others, the more compassionate empathy we will have.

Two of the most blinding spotlights on the stage of our apathy are Security and Comfort. They blind us precisely because they make things too easy and painless. But we need the sharpening stone of difficulty and pain in order to build a character sharp enough to cut (whether through the pitch dark or the blinding light).

So let’s not cling to security and comfort. Security provided by a so-called authority, is an illusion at best, and a prison at worst. Let’s be cautious with security and be courageous with our insecurity.

Comfort can be more of an obstacle on our journey than even the obstacles themselves. Let’s cut the cords that are providing the current to the blinding spotlights of comfort and security. Like Farrah Gray said, “Comfort is the enemy of achievement.”

Using the darkness as a guide for spiritual ascent

“There is no coming to consciousness without pain. People will do anything, no matter how absurd, in order to avoid facing their own souls. One does not become enlightened by imagining figures of light, but by making the darkness conscious.” ~ C.G. Jung

lost2

Making the darkness conscious is no walk in the park. There is much spiritual trepidation and existential angst to resolve. It requires brutal honesty, first with ourselves and then with others.

It requires full-frontal authenticity and a genuineness that will often throw others for a loop and maybe even cause them to shun us because of our ability to slap them with the truth as opposed to kissing them with lies.

But, like Katie Goodman said, “When you are truly genuine, there will invariably be people who do not accept you. And in that case, you must be your own badass self, without apology.”

Beacons of dark are able to surf the wave of that badass courage into their own greatness, as it rip-curls over the woe-is-me, excuse-ridden undertow of sentimentality and shame. Over the security of the shoreline. Over the safety of shallow waters. Over the comfort of the all-too-comfortable.

Being a beacon of dark in the blinding light is being an amoral agent in an immoral world that’s over-filled with overly-moral people clinging to the sidelines in fear. A beacon of dark is the antithesis of fear, piercing through fear just as much as it pierces through the blinding light.

But first comes the embracing of that fear. First comes pain. First comes discomfort. First comes the sting of admitting we’ve been bamboozled by the blinding light of an overreaching aggrandized human civilization.

Like Alain De Botton said, “In the gap between who we wish one day to be and who we are at present, must come pain, anxiety, envy and humiliation. We suffer because we cannot spontaneously master the ingredients of fulfillment.”

Mastery has always been a struggle. It always will be. And the ingredients of fulfillment will be different for us all, which just adds to the struggle, because there is no certain course. There is no one right way. There is no set recipe for enlightenment. There is only the struggle of the path. But when we’re truly on the path, when we’re authentically engaged and genuinely present to personal growth, there is nothing more beautiful and fulfilling.

As Nietzsche pinpointed, “Fulfillment was to be reached not by avoiding pain, but by recognizing its role as a natural, inevitable step on the way to reaching anything good.”

lost3

This is the epitome of being a beacon of dark: a reminder that pain (darkness) is just as important and constructive as love (light) in getting us through the vicissitudes of life.

A beacon of dark is an unsinkable black gem floating upon white quicksand. It’s a sacred loneliness in a too-busy world that has forgotten the importance of solitude. It’s a wild man, or a wild woman, howling furiously in a city full of sheeple. It’s a quiet wakeup call in a loud room of people who are pretending to be asleep.

It’s the divine instability in an unsustainable system. It’s trickster sincerity mocking the seriousness of so-called good and evil. It’s an artist on a high hill overlooking a world of pale canvas-white, declaring, “Let there be dark!” Indeed. As Anaïs Nin articulated, “Great art was born of great terrors, great loneliness, great inhibitions, instabilities, and it always balances them.”

And that’s what it’s all about: balance. That’s what being a beacon of light is about and that’s what being a beacon of dark is about: balance. Fundamental extremism has always been the enemy. Moderation has always been our saving grace.

Whether it’s a pitch dark or a blinding light, either way it’s extreme and it prevents us from seeing clearly. Being a beacon of dark in the blinding light is just as important as being a beacon of light in the pitch dark. And those of us who can manage to be both intermittently, are all the more helpful to those stumbling along the path toward fulfillment or enlightenment or whatever.

As Andrew Harvey wrote in Sacred Activism, “All divine visions are hard to embody. They require hard work. You have to keep looking at your own shadow — and sacred activists have two shadows: they have the shadow of the mystic, longing to escape into the light and leave the world behind; and they have the shadow of the activist, which is full of denunciation and divisiveness and anger. But if you examine those two shadows long enough, something amazing happens: the mystic’s shadow gets purified by the activist’s, and vice versa.”

Image source:

Meditation
Tolkien quote
Osho quote
Shadow shoes

An Interview with Android Jones, the Digital Alchemist

2

Andrew ‘Android’ Jones is a visionary artist who began studying art at age of 8 and since then has progressed to become a pioneer of digital painting and projection art.

His work is a fusion of evolving technology, elements of nature and his mystical experiences.

In an audio interview with Fractal Enlightenment, Andrew talks about his journey as an artist, his chosen medium – electro-mineralism – his liking for ancient cultural deities, and much more.

When was the moment you wanted to become a visionary artist?

android-jonesI started drawing when I was pretty young and its stuck with me since then; it was a natural way to interact with the world around me. Its like putting together a series of different experiences and it was something I just fell in love with.

So I did it pretty compulsively, I was raised on a farm so I had a lot of isolation and time to my self.

You describe yourself as an ‘electro-mineralist’ – what does this mean?

Throughout art history, different artists are conventionally defined by the mediums that they use, like oil painters, pastel artists, etc., but in history most of the mediums available to artists have been mostly from elements coming from the vegetable kingdom, whether its papyrus or canvas, grinding up different pigments from earth or plants.

Digital art is not really descriptive of the medium that it really is. I am not painting with digits necessarily.

The tools that we use are an extension of the human consciousness and humans are really good at manipulating the environment around them, so when I look at what is it that I use to create, the main force behind it is electricity – all the digital work is electrical in nature and the technology largely comprises minerals like magnesium and silicon, quartz crystals, copper, iron.

The combination of minerals and electricity together is what makes this amazing possibilities.
android jones art
Is that the medium you choose from the start and you gradually made the switch to technology?

While growing up I started like how kids start with crayons, finger paints. I evolved to color pencils and markers. There were lot of different phases – I had a big marker phase, I had a strong color pencil phase, I got into water colors for a while.

I kind of take different mediums and get obsessed with them. I also got into acrylic paints and then in the 90s I started working with oil painting and also had a lot of charcoal.

I went through an academic training in drawing and painting. In 1995-96, computers became more easily available and I went to school to learn computer animation and I started experimenting with photoshop.

Even though they are not anything close to where they are now, just the feeling that there was so much possibility and a look over the past 100 years, not a lot has changed with innovation – oil paints or brushes, animal hair – and I could see how fast technology was evolving. I decided to focus my attention on trying to master these new tools that were available.

I read about you making ‘one self-portrait every day for 1000 days between May 2002 and February 2005’, what was your inspiration behind this?

zoom01_e2a854f2-396b-4222-90d4-939cf677efc1_1024x1024

There were lot of different reasons why I started – I think one was after graduating from a art school in US, which was quite expensive, and I had a lot of debt that I needed to get rid of, so I chose to work in the video game and the film industry for a while. During that time I went through what people refer to as the dark night of the soul in my 20s.

On a personal level I felt that as an artist we all have to make these compromises, sometimes commodifying our creativity and putting a price tag on that.

I wanted to prove to myself that as an artist I still could make time to make art just for the sake of art without trying to sell it or market it or brand it or make anything out of it. Essentially, it was more on idealistic, romantic level, trying to prove that I still had a soul somewhere in there. I made time everyday to put everything else aside and focus on trying to capture what was in front of me.

What started for me as an exercise, became an obsession and as time went on I could see the progression of all the portraits – like a visual diary of my life. When I looked at all at once, 100 at a time or 300 at a time, I saw these patterns emerge.

I could actually look back at the dates and remember what was happening in my life. It was like documenting my different moments and different emotional stages. For example I could see whenever I was in a new relationship, whenever I was falling in love, there would be a big patch of red and warm colors and times that I was depressed, even though I wasn’t consciously making a depressing portrait, the color choices which I thought were spontaneous, in the moment, were kind of narrating a much more consistent story. That was pretty fascinating.

What is your main inspiration behind your art, will it be a particular event in your life, or the world or your surroundings?

android-jones-electric-love

There are works that I do which is in response or reaction to things that are happening in the world, whether its a certain cause or something that is happening in politics. Generally a lot of times when I make art now, I’ve come to the understanding that in the past like the self portrait project that I was working on was just for me.

The older I get I realize that I don’t make art just for myself anymore, I want to make art that serves people, serves the community that I am part of, the species I am part of. Art is an incredibly powerful tool, it creates a lot of reactions, brings about change and inspires people.

I often try to think what are the needs of people, what’s the most important kind of art right now, what kind of art I can make that can uplift humanity, what kind of art that I can make that can glorify God and creation, what kind of art I can make that can catalyze consciousness of different people and a lot of time I really think the power of art is not so much in the piece itself but its in making things that help stimulate ideas, stimulate questions, or conversations.

As an artist I survive, support my family, my team and community through a transaction, exchanging art for some type of a value and I collect a portion of that value back to support myself. But in reality, when someone chooses to invest in a piece of art or put it on their computer, what I am offering is a visual reminder of their most idealized version of themselves or an improvement on themselves.

android-jones-art-electric-loveWhat about the faces you portray in your work, what does it symbolize?

profile_picture_by_android_jonesDating back to the self-portrait project, I’ve always been attracted to drawing the human face. When I was 15 or 16 one of my first job was as a portrait artist – I worked on the streets, I would draw homeless people and runaway kids. In summer I would support myself drawing tourists. There was a time when I traveled to Europe and I supported myself through portrait drawing.

It is something I’ve always had a deep love for, and I study a lot of human psychology and just within our human brains in our neocortex there is a specific amount of our brain that is allotted towards recognition of the human face. Its something that we really are hardwired, programmed to have a deep and powerful response to.

Using the face is a powerful way to get someone’s attention and connect with, and as an artist I am always trying to find more ways to connect with people. Its like marketing all over the planet, the reasons why magazines have faces on it, because they know that psychologically that face will really draw your attention.

Not that this statement is really about the face, but its a vehicle to get the attention of some one and once you have the attention, then the symbols, colors, composition start to relay a deeper story.

I’ve come to realize that art has the ability to not only convey messages and meanings, sometimes people see what they need to see in a piece. Its nothing to do with what the artist intended to or not, when they look at it, it catalyzes something deep within them, it gives an opportunity to an individual to connect with something deeper in their own subconscious.

Are those also the key elements you tend to capture in your art?

tiger_head_1024x1024I’ve realized how important it is to uplift people, if I looked at my art, over the course of the last 25 years, there have been dark moments, moments of fear and insecurity, and sometimes as an artist its easy to use art as a therapy and work out your own condition.

Its easy to connect with different elements of nature, like the animal kingdom. I use a lot of wings that symbolize freedom, I use a lot of butterflies in my work, that is a universal symbol of transformation and change.

There is a piece I just released called Catch a Tiger by the Swallow Tail, if you look at the face its made up of butterfly wings, and the narrative I was working on this piece is the idea of a powerful, ferocious transformation, not a gentle slow transformation. That picture has elements of water and fire, I like to use contrasting elements together as well, showing dichotomy between things.

How long do you generally take to finish a piece?

Sometimes there are pieces that take me 2-3 days, sometimes pieces take me 6-7 months. Sometimes I start on a piece and I lose interest and put it down for several months and come back later on when the moment is right and finish it again. If I look back how many complete pieces I have made in a year, may be 20-30 pieces.

I am more excited about starting pieces, I have hundreds of unfinished pieces that I lose interest in, the starting is my favorite part because it doesn’t take a lot to start a piece, but I find that I can get may be 80%-90% of the piece done rather quickly, but finishing the final steps, mastering it which is the last 10% of the painting can take majority 90% of the time.

I get the question of time more often than any other question, when someone sees my work people want to know time because time is a universal metric. We all know how an hour feels like, what a minute feels like, but I have also come to realize that time is only relative.

Different consciousness experience time in a totally different way, and I have learnt that its actually less about how much time I can dedicate to a piece, but more about the quality of my attention – how powerful is my focus and concentration.

A lot of your art includes Indian symbolic figures, is there any story associated with that?

Tandroid-jones-shivahere are lot of stories associated with that. India has had a significant effect on my life and my art. The art that I make is just the residue left behind from the life that I’ve lived. I use art as a way to document deeper experiences and understandings that I’ve had.

When I went to India two years ago and for the first time I went to the Kumbh mela. I did these workshops in Delhi, Mumbai and Bangalore. It was a really life-changing experience for me.

I have traveled to lot of different places, but I just really fell in love with India and the people of India. I am more of a trance spiritualist, I study lot of different religions – I was raised Catholic, I carry a Bahá’í prayer book, I am fond of a lot of ancient Gnostic teachings on ways of living and understanding the dynamics of consciousness.

From all the places I have traveled if I were to base the legitimacy of religion based on the soul and happiness of the people I would say Hinduism is doing pretty well. I also really love the culture of Hinduism where art is an element of their spirituality.

Every type of religion is kind of a gateway to the undefinable mystery of God, creator and spirit. I like how specifically, the Indian tradition, uses these very visual symbols and images of each different energies as the aspects of the consciousness of the creator. I find that its really powerful and something that I just feel a deep connection with.

I like to listen to Mantras, and the Shiva image is one of my favorites. It was only after going for the mela and learning about Shiva that I got access to the energy of that aspect of God. I feel the energies that are represented within the Indian culture are more inviting and want to be reinvented. These images act like signposts towards each individual’s personal investigation of truth.

Is there a certain kind of connection that you feel to ancient goddesses

Naga_Baba android jonesI feel I have a really deep connection with Shiva, if I have to classify myself then I would be much like a Shaivite. Krishna has started to capture my heart now more and more, but that has taken more time, Shiva was immediate.

Each of these gods and goddesses and beings represent different aspects of the divine. I’ve connected with Ganesha, really connected with Hanuman, and largely depends on which ever aspect you have a more intuitive attraction to; that’s telling of where you are and which part of the divine you need to make a connection with.

Any particular artist you look up to or has been an inspiration on your path?

There is an artist in Vienna named Ernst Fuchs – I think he is just a gem within humanity. When you look at the work that he has made, its hard to believe that a human being had access to that quality of inspiration. He is prolific and different.

I get inspired by old masters and classical music, Beethoven and Mozart. But as far as contemporary artist is concerned Tipper, he’s an electronic musician, and I just think he’s a wizard. The type of art that inspires me is like the art of the sublime. There’s a point where its so beautiful that I forget that I am listening to electronic sounds or looking at pixels or paint strokes.

There is a sense of timelessness, and soon as you listen to his song it feels like its been part of your life, its that kind of art. Sometimes you look at a painting, and it looks familiar at the same time. It reminds you of something deep, profound piece of information that I had forgotten but I have always known in my heart, that’s the type of art that really gets me excited.

Image Source

Android Jones

The Impact of Negative Entities on Our Aura & Ways to Clean Your Aura

11

We often hear people saying “I am feeling low”, “I feel some kind of negativity”, “this place is negative”, “I heard someone”, “I saw something” so on and so forth. All these thoughts, words, feelings and emotions point towards a negative presence or a negative entity.

William J. Baldwin in his book, Healing Lost Souls: Releasing Unwanted Spirits from Your Energy Body, said, “Spirit possession or control by non-physical entity goes against our most basic human and spiritual rights. It is a possibility both terrifying and preposterous.”

auric-field

Psychic intervention, spirit intrusions, negative vibrations, disruptions etc., these things impact our lives physically, mentally, emotionally, and spiritually. These entities are spirit beings without a physical body, but are stuck in the middle world (Earth). They are looking for material gratification, which is impossible without a material body and therefore penetrate into people’s aura, which resonate with their frequency.

From my experience, once in a personal session with a therapist, I was exposed to the presence of 17 entities in my aura field, who were feeding like parasites on my vital force, positive thoughts, giving me tail bone ache and promoting negativity in my life.

I was even confronted with the fact that a few close relatives had sent these entities to harm me and distract me from my life path. I was short of breath for many years, causing me discomfort while sleeping and inability to focus on any specific task at all.

The therapist carefully guided me to visit these entities and ask them their purpose, who sent them, and whether they were willing to go back to the light or not. Some did not even know they were dead, but gradually in a few sessions she cast all of them away. But much to my surprise, new entities kept attaching themselves to my aura field.

On finding out, we came to know that I had openings in my chakras or portals that act like vacuums, sucking other people’s negative emotions and energy, this acted like a passage for the entities to come and stay.

We closed the portal, and since then I am not experiencing any invasions, but still I visit the therapist time to time for regular cleansing, as the possibility of them entering cannot be nullified.

Aura-cleansing-negative-entity

Can we have negative entities in our aura?

Unfortunately, the answer is yes. Almost all of us have some sort of negative entity existing in our auras. The number or size may vary, but at a time, one can hold many souls in their space, weakening the original soul inhabitant. The modern lifestyle leads to stress, anger, depression, and a lack of time for spiritual work.

So, unless we spare sufficient time, energy, and thought on our spiritual upliftment, we are bound to be invaded by these spirit intrusions from time to time or forever. For those who feel completely at peace with themselves & are on the right track, even they can have negative entities in their space, but they might be dormant or less active than those of others.

How do we draw these negative entities?

“These entities can become enmeshed in the aura, the energy field around the body.. The emotional or physical trauma endured by a person can render the energy centers vulnerable. They are open like doors to allow entry and attachment by entity,” said Dr. William J. Baldwin.

There are multiple ways they can enter a person’s aura and stay there for years or for a whole lifetime.

Sent by others:

Black magic and sorcery exist in every culture and proofs of the same exist widely. Sometimes, people who are unhappy/jealous with others can send these negative entities to bring misery to the victim. They will try to invade your space, time and again and stay with you, until it is cleansed.

Sexual contact:

The significance of sexual intimacy has been emphasized upon. The energy debris of other people’s aura can be left in the aura of another person with ease as the root chakras are connected, allowing a free flow of energy from one person to another. The entities have a free way into the body as the aura is open, making them susceptible to such invasions.

Drugs & alcohol:

Our consciousness has a lot to do with our ability to protect ourselves. Under the influence of drugs or alcohol, we lower our guards and our aura is exposed to the chances of being invaded.

It is also said that both drugs and alcohol create holes in our aura. Holes in our aura can be created during surgeries, unconsciousness or trauma. When our aura is not whole, its ability to fight the negativity drastically reduces.

negative entities
Major loss:

Soul loss has been spoken of earlier as well, where a person suffers from major loss in their life and a part of their soul in entrapped in the specific situation. With such a prolonged period of suffering, long bouts of anger and extended periods of stress, all of this can create holes in the aura leading to easy invasion.

Low vibration:

Negativity is strongly drawn towards other negative things, places, and people. If you are subjecting yourself to constant sprees of tension, worry, stress, anger, insecurities or jealousy, chances are you already have negative entities in your personal space.

How do these entities affect us?

These entities affect us deeply and in ways we cannot even imagine. They are bound to create negative impressions, thought, behavior patterns etc.

  • They will create physical pain or disease in the area they are stuck, causing improper functioning of the body. The illness caused by them might not have substantial medical proofs but the problem would seem to persist as it lies on the energy level.
  • Creating obstacles in the path of success, one may find themselves going in circles with their career path, unable to find a breakthrough.
  • Prolonged phases of depressions, loneliness, mixed with fear and anxiety, are yet another way they affect one’s life.
  • Lack of energy, low self-image, low BP or low morale, as they feed on the prana or the life force, depleting the resources necessary for personal growth and energy.
  • Stronger entities would like to seclude the victim and create unhappy moments like separation from loved ones, lack of interest in family life or withdrawal from the society.

Ways to clean your aura of these entities

Impact of negative entities on our aura

The good news is that these negative entities can be cleaned. The solo way to truly discard them from one’s aura is to approach a healer, a shaman or an energy worker. A guided session is important because you as a victim would be unable to tackle the negativity out of your system.

A charged person, who is on a much higher plane in terms of positivity & power, can mostly check within minutes of talking to you, if you have spiritual intrusions.

A psychic detox is usually conducted for more than one session where the healer peels of layers after layers of a specific trauma or misery to weed out entities related to each other.

Under the guided regression therapies, the therapist would take you to the deepest recesses of your subconscious mind and detect how many negative entities you have in your space and would step by step cast them out.

The process would be simple and healing in nature but does not guarantee detoxification forever. Just like after a detoxification, we might go back to eating junk and fill our system with toxic food similarly, due to our lifestyle choices, new entities are bound to find their way into your aura.

The only lasting solution is to be connected to a shaman and keep revisiting after a few months for a quick detoxification. But here are some ways of avoiding or lowering the chances of having these negative entities enter your aura.

How to avoid these entities

  • Be aware of other people’s energy and as and when you feel negativity around people and places, steer clear of it. Even for social obligations avoid handshakes and hugs with people whose energy do not seem right. Negativity can come in any form.
  • Keep a check on your own aura and try to understand if the thoughts that come to you are your or someone else’s. Ask yourself, does this thought belong to me or someone else. If you constantly feel someone else’s presence, visit a therapist or healer for cleaning work.
  • Try and work your way through soul retrieval. Many past life regression therapist can perform soul retrieval therapies.
  • Smudging can be used to clean your aura and your house. Using incense sticks, camphor lighting and salt water cleaning of the floor for maintaining a clean atmosphere.
  • Grounding technique of connecting with mother earth is an effective way to stay positive and be connected.
  • Imagine a white shaft light pouring from your crown chakra and bathing your entire body in positivity, peace and power.

Fear is baseless and only crops from unknown things, situations and places. Clearing our energy field on a regular basis of everything that doesn’t belong to us is important, so that we can be lighter and feel clearer about ourselves.

Image Source
Angels Above by Harman Visions
Energy vampires

Further reading

Remarkable Healings: A Psychiatrist Discovers Unsuspected Roots of Mental and Physical Illness

The Zen of Ingenious Space: Discovering the Gap between the Known and the Unknown

“In the beginning you will fall into the gaps in between thoughts – after practicing for years, you become the gap.” ~ J. Kleykamp

There is a creative state, or ingenious space, that can be achieved during meditation where our inner genius is free to emerge between the gaps of our thoughts; where creative ideas, or even ideas that have yet to be imagined, have the potential to be born.

genius4It’s a place where “flow states” are conceived; where we become a microcosm giving into a greater creative macrocosm.

When we fall into these cosmic gaps, the entire universe is at our fingertips, at the tips of our pens and paintbrushes, and the floundering baby genius within us begins to thrash and splash about in preparation for its original dance –its unique contribution to the human leitmotif.

Discovering the gap between genius and non-genius

“Talent hits a target no one else can hit. Genius hits a target no one else can see.” ~ Arthur Schopenhauer

“Genius” is one of those power words that gets tossed around willy-nilly. But what separates a genius from the rest of us? What is the critical ingredient seen in every single genius from Shakespeare to Einstein? It’s not just IQ, or EQ, for some had it and some did not.

It’s not even what multiple intelligence category one falls into. It is focused passionate creativity. That’s the common denominator.

Indeed, you don’t have to be a genius to be creative, but you must be creative to be a genius. When it comes down to it, we’re all creative. But are we focused enough with our creativity, is the question.

Are we passionate enough with our art? Like Tony Robbins said, “Passion is the genesis of genius.” And it is precisely this focus and passion that seems to elude the majority of us.

A genius can hit a target no one else can see. Why is this? Because not only have they discovered the sacred gap between thoughts, they’ve bridged that gap. More importantly, they built the bridge.

They went through the difficult motions of daily practice and back-breaking trial and error. In the end, genius is nothing more than quantifiable error. A genius is a creative person whose mistakes are more difficult to imitate than their creativity.
genius3
This is because it is through mistakes where inner genius is discovered. Mistakes are the building blocks to a breakthrough. The breakthrough, whatever it is, could not have occurred had a foundation of mistakes not been used as stepping stones toward greatness.

Like Thomas Edison said, “I have not failed. I’ve just found 10,000 ways that won’t work.” Indeed. Art, creativity, genius, does not prevail despite failure, but through it.

So what does this tell us? It tells us that the genius part is neither here nor there. Or rather, the genius part is “over there” somewhere. But so what? Genius isn’t born, it’s built. What matters is right here, right now.

The Gap between being a non-genius and a genius is built in the moment. So what are we going to build? We need to focus on being the gap, on building our own unique ingenious bridge, instead of worrying about not-being or potentially-being a genius.

Geniuses since time immemorial have been tapping into, and building within, this sacred gap for ages through the indirect meditation of their craft. Such geniuses as Shakespeare, Mozart, Tchaikovsky, Van Gogh, Hemmingway, and even Freud have mined the seemingly unconnected chasms between the known and the unknown. And they came up with gold.

Some of them were born with more natural talent than others, but they all had focused creativity in common, and they became geniuses through raw, determined passion.

Luckily for us, we have direct meditation (mindfulness meditation and Kundalini mediation) to help us achieve similar states of focused creative passion. And with enough mindful practice and creative application, the sky, the heavens, the cosmos, the infinite reaches of time and space, are the limit.

Discovering the gap between the known and the unknown

genius1“Creative genius doesn’t just ‘happen’ because one person is born with more IQ points than another. If you are interested in something, you will focus on it, and if you focus attention on anything, it is likely that you will become interested in it.

Many of the things we find interesting are not so by nature, but because we took the trouble of paying attention to them… Most enjoyable activities are not natural; they demand an effort that initially one is reluctant to make. But once the interaction starts to provide feedback to the person’s skills, it usually begins to be intrinsically rewarding.” ~ Mihaly Csikszentmihalyi

At first meditation does not come easy. Initially it’s difficult to make time for it in our busy schedules, and it can be doubly-difficult to find a sacred place/space away from the clanking machinery and honking horns of civilization.

Effective meditation requires an effort that initially we are reluctant to make. But once the meditative state provides feedback to our ability to remain present through focused breathing, it becomes intrinsically rewarding. Eventually such rewards spill over into everyday action, and our art, and we become a “walking meditation.”

Like James Levin said, “Follow effective action with quiet reflection; from the quiet reflection will come even more effective action.”

And so on and so forth. Meditation is the most powerful tool we have in our arsenal. It is the ultimate leveraging mechanism between the known and the unknown. It is a pole vault that our non-genius self can use to launch itself into our genius self.

If, as Thoreau advised, “Following your genius closely enough will not fail to show you a fresh prospect every hour” then our genius seems to be guiding us into daily focused meditation. Our inner genius wants to come alive just as much as we want it to come alive.

We just have to get out of our own way. Getting out of our own way is the first step toward discovering the gap between the known and the unknown. The numinous beginning, which contains everything, is ours for the taking once we let go and begin to follow our genius closely enough.

Meditation allows for the incessant noise of the mind to shut down. It provides a place where we can tap into a wisdom more vast than human wisdom. It helps us reach that ingenious space, the gap between thoughts, where our most creative self, our genius self, can come up with something never conceived before.

It helps us achieve a state of No-mind, where the vast infinity of all things becomes manifest and we are free to sail into everything with the trump card of “nothingness” in our back pocket.
genius2
Arguably the first revelation of any genius is the understanding that the more we know the more we realize how much we don’t know.

And that’s okay. Like Paul Mic cryptically stated, “We understand nothing! If you understand this, you understand everything.” Indeed, part of getting out of our own way, and providing space for our genius to emerge, is letting go of our need to know.

Focused meditation is the perennial gap-detector. It’s a space where we have not yet dismissed an outcome as probable, and so everything is possible. The cosmic sails are billowing full. Passion is paramount in the wind. True North is everywhere.

Flow is pure oxygen. Our compass is an infinity symbol spinning infinitely. Here, Shakespeare’s genius is our genius. Mozart’s music is our music. Bach is in the ether. Whitman is unhidden in the leaves and grass.

It’s all inherently blooming within the gap between genius and non-genius, between one “giant’s shoulders” and another, between the known and the unknown; an infinite dancing abyss waiting for our inner genius to join in and contribute its own unique soul-signature to the overall bouncing, twirling gamboling equation.

Like Oscar Levant said, “There is a fine line between genius and insanity, I have erased that line.”

And as luck would have it, we become the gap.

Image source:

Einstein gaff
Aldous Huxley 1st quote
Buddha quote
Aldous Huxley 2nd quote

How to Become an Overman (Übermensch) in 7 “Easy” Steps

7

“I teach you the Overman. Man is something that shall be overcome. What have you done to overcome him?… Man is a rope, tied between beast and overman –a rope over an abyss. What is great in man is that he is a bridge and not an end.” ~ Friedrich Nietzsche

overman2

“What is great in man is that he is a bridge and not an end.” That’s repeated for affect. The human condition is not, nor has it ever been, a fixed state. It is perpetually evolving, even when it seems to be at rest, even when it seems to be stagnant. We are not the be-all-end-all of human evolution. There will always be a next step, a next level. And it is up to us, to a certain extent, if that next level will be healthy and robust or unhealthy and weak.

The Übermensch, or overman, is Nietzsche’s multicultural vision of human excellence, his meta-ontological elite. On an individual level, the overman is the healthy and robust adaptation of a person who consistently practices the art of self-overcoming.

Such an individual has learned how to translate their multi-fractured self into a multifunctional force of nature. Self-actualized, fully individuated, and doggedly able to adapt and overcome the path toward enlightenment, these masters are prepared to take on all comers.

“What is the ape to man?” Asked Nietzsche. “A laughingstock or a painful embarrassment. And man shall be just that for the overman: a laughingstock or a painful embarrassment.” As it stands, we have become this laughingstock and painful embarrassment. And we will continue to be, unless we as individuals can learn how to self-overcome, get out of our own way, and turn the tables on our own fear and apathy.

Unless we can figure out how to become the best possible version of ourselves, which is what the path of the overman is all about. Similar to the path toward enlightenment, the path of the overman is about the journey not the destination.

There are ever more signs of the overman emerging, but here are seven steps we can take to at least attempt to become an overman and avoid becoming a laughingstock or a painful embarrassment.

1) Make your own values

“The higher we soar the smaller we appear to those who cannot fly.” ~ Friedrich Nietzsche

In a world of quasi-ethics based on profit, pseudo-morals based on advantage, and counterfeit love based on possession, it behooves us to make our own values. Like Nietzsche said, “No price is too high to pay for the privilege of owning yourself.” Break away from the humdrum tribe and find that which is indestructible within you. Become a force unto yourself. Shift all paradigms. Demolish all sacred cows.

Question everything, especially yourself and your current values. As Jose Ortega y Gasset said, “The man who discovers a new scientific truth has previously had to smash to atoms almost everything he had learned, and arrives at the new truth with hands bloodstained from the slaughter of a thousand platitudes.” Slaughter those platitudes, and then make your own. Just remember to remain flexible enough to handle someone slaughtering yours. Or, better yet, slaughter them yourself: the epitome of self-overcoming.

2) Be selfish in strategic ways

“Anybody who’s ever mattered, anybody who’s ever been happy, anybody who’s ever given any gift into the world has been a divinely selfish soul, living for his own best interest. No exceptions.” ~ Richard Bach

In the crashing plane that is our human species, the overman is the one putting the oxygen mask on him/herself first, realizing that most people are as “awake” as children, and are simply incapable of putting the oxygen mask on themselves. People need help, and in order for you to be there to help them you must put the oxygen mask on yourself first.

This is not conceit, this is courage. It takes courage to be a beacon of light in the pitch dark, and perhaps even more courage to be a beacon of dark in the blinding light.

become an overman

3) Understand that suffering is a necessary component of good things

“You must be ready to burn yourself in your own flame; how could you rise anew if you have not first become ashes?” ~ Friedrich Nietzsche

Life is pain. And that’s okay, because pain is a sharpening stone. Pain is the greatest teacher next to Mother Nature and the mighty cosmos. Your pain is real because you are real. Your sorrow, misery, grief, existential angst and spiritual trepidation are all dreadfully real because you yourself are extraordinarily real. Were it not so, you would not feel any of it. But it is so, and therefore you also feel love, happiness, hunger, joy, equanimity, providence, and even enlightenment.

Becoming an overman is understanding this, rolling with it, surfing the double-edged wave of it, and finally transcending it by not taking it all so dreadfully seriously and discovering instead that a good sense of humor transubstantiates the world. Like Alan Watts said, “Man suffers only because he takes seriously what the gods made for fun.”

4) Understand that you will be hard to understand

“Those who are able to see beyond the shadows and lies of their culture will never be understood, let alone believed, by the masses.” ~ Plato

Don’t be afraid of being misunderstood. You will be. Think outside of the box anyway, and then flatten it. Crush mental paradigms anyway, and then build others to crush. Stretch comfort zones until they snap anyway, and then regroup, heal, and realize that your comfort zone is not a boundary that contains you, but a horizon that compels you.

Like Plato also said, “Courage is knowing what not to fear.” The fear of being misunderstood is precisely a thing which you should not fear. Understand it instead. Roll with it. Dance with it. Use it as kindling and build fires with it. Then roast marsh mellows with the gods in high-laughter at the silly fears of men.

overman1

5) Be gentle toward the weak out of consciousness of your own great strength

“With great power comes great responsibility.” ~ Stan Lee

Shake all secure foundations, but put a foundation beneath all that is insecure. Help the helpless, but be able to distinguish what people need from what people want in order to determine what help you can give. Flatten the arena of pseudo-power so that prestigious-power is free to rise to the top and expiate itself. Always be conscious of your own power, but don’t limit your power because of your conscience.

Like Henry David Thoreau said, ‘Do not be too moral. You may cheat yourself out of much life. So aim above morality. Be not simply good; be good for something.” Guide the powerless to their own power, despite the powers that be. To act as a guide is to give people something to do, to help fit them into their destiny, to help prevent their stumbling mindlessly about in an empty, meaningless existence.

6) Don’t be too humble; delight in your own abilities

“If your abilities are only mediocre, modesty is mere honesty; but if you possess great talents, it is hypocrisy.” ~ Arthur Schopenhauer

The Overman is the “genius” that Jesus spoke of in the Gospel of Thomas: “If you bring forth the genius within you, it will free you. If you do not bring forth the genius within you, it will destroy you.” This is a tricky one.

Many people will confuse you for being conceited or egotistical, not realizing that the ego grows along with the burgeoning soul. The bigger the soul, the bigger the ego. But the crucial difference is that the overman who has been initiated into soul has learned how to use the ego as a tool for the soul as opposed to being a tool to the ego. For the overman ego-work is soul-work. The overman is not conceited, but convinced.

7) Become devoted to the Earth

“The Übermensch is the meaning of the earth… I beseech you, my brothers, remain faithful to the earth, and do not believe those who speak to you of otherworldly hopes… Once the sin against God was the greatest sin; but God died, and these sinners died with him. To sin against the earth is now the most dreadful thing.” ~ Nietzsche

overman5

Invest in the practical applications of culture to raise the mentality of society in regards to the overall biosphere. This is perhaps the most difficult attribute to acquire on the path of the overman, but one cannot claim to be on the path without it. Becoming devoted to the earth means becoming a force of nature first, a person second.

It means moderating our lifestyles, despite the immoderate lifestyles that surround us. It means not being superfluous. It means not being an extremist according to actual reality but becoming an extremist according to the hyper-reality of the state. Like Nietzsche said, “Only where the state ends, there begins the human being who is not superfluous.”

A man striving to become an overman will always be considered an extremist, but that is only because the rest of culture is living extreme lifestyles in contrast. An overman, devoted to the earth, is actually the opposite of extreme: “living simply” as Gandhi said “so that others may simply live.” Being devoted to the earth is helping others realize that they are earth. And how everything is connected in a beautiful interdependent dance of earthly livingry striving onward despite cosmic entropy.

It is the responsibility of the man-striving-to-be-overman within all of us to help transform guilt and apathy into virtue and empathy, to help transform victimization into heroism, to help transform weaponry into livingry, to help transform fear-based lifestyles into courage-based lifestyles, and to help self-overcome so that our culture may culturally-overcome itself and once again become “faithful to the earth.” Like Nietzsche profoundly said, “The great epochs in our lives are at the points when we gain the courage to rebaptize our badness into the best in us.”

Image source:

Übermensch | Catastrophy | Nietzsche quote | Devolution of the species